Duration 19 minutes
Instrumentation: Clarinet, Violin, Viola & Cello
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Al-Ramal (The Running)
Al-Kamel (The Complete)
Al-Muttadarek (The Continuous)
This inspiration for this work came from my research into the connection of poetic meter and musical meter of the Near Eastern Arabic vocal repertoire known as the Muwashshahaat. In studying this connection I began to see the inherent rhythmic structure of the Arabic poetry, known as the ‘urud, as it related to the musical setting. These structures are derived from 16 poetic meters known as the buhur: the plural of the word “sea.” Although none of the three movements in this work are based on any specific poems they are, however, based on the rhythmic patterns of three of the 16 buhur. The music attempts to convey the emotions, or my interpretation of them, of the three buhur that are the basis of this work. The melodic and harmonic materials are derived from loose interpretations of maqam (Arabic modal system). It is a testament to these ancient Arab poetic structures that they can still inspire the imagination to explore their “seas” well over a thousand years after their creation.
© 2008 Layali Music Publishing, BMI